Pentax 17 half-size format film camera

Overview

Ricoh Imaging is pleased to announce the new PENTAX 17 compact film camera. The PENTAX 17 is a half-frame camera, capturing two 17mm x 24mm pictures within in a single 35mmformat (36mm x 24mm) film frame. It produces vertical-format pictures, with similar ratios to those captured by smartphones. In addition to the distinctive image quality created only by a film camera, the design of the PENTAX 17 incorporates manual operations unique to film photography — a selectable zonefocus system, manual film winding, manual film advance lever, and exposure compensation and ISO sensitivity adjustments, each with their own dials. It has a retro-inspired design, with the top and bottom covers made of a solid but lightweight magnesium alloy to optimize the camera body’s rigidity.

The PENTAX 17 features a newly developed 25mm F3.5 lens (equivalent to a 37mm lens in the 35mm format). The lens is treated with HD (High Definition) coating to optimize clarity and sharpness. The optical viewfinder features an Albada-type bright frame finder and has a close-up visual field compensation frame to help compose close-up images more easily. The camera has seven shooting modes to accommodate different applications and scenarios. It automatically adjusts exposure settings based on lighting data collected by its metering sensor. It is an ideal model not only for film camera enthusiasts who have enjoyed film photography for years, but also for photographers who are excited about trying film photography for the first time.

MAIN FEATURES:

Half-size format
The PENTAX 17 features the half-size format, in which two 17mm x
24mm pictures are captured within a single 35mm frame (36mm x24mm). It also employs a manual film advance lever. When holding the
camera in the traditional orientation, the PENTAX 17 captures verticalformat pictures, with similar ratios to images captured by smartphones.

Manual camera operation unique to film cameras
The PENTAX 17 features a manual film winding mechanism based on those incorporated in PENTAX-brand SLR film cameras. The film advance
lever lets the user enjoy the film winding action and a wind-up sound after every shutter release. Its easy-loading system is designed to prevent filmloading errors. It also features other mechanisms unique to film cameras, such as manual film rewinding operation using the rewind crank; exposure compensation via the exposure compensation dial; and ISO sensitivity setting via the ISO sensitivity dial.

Newly developed lens combines time-proven optics and the latest lens coating technology
The PENTAX 17 features a newly developed 25mm F3.5 lens (equivalent to a 37mm lens in the 35mm format). Based on the optics incorporated in the acclaimed PENTAX Espio Mini (marketed in 1994), it has been redesigned to fit perfectly in the half-size format. The lens is treated with HD (High Definition) coating — a highly acclaimed multi-layer coating — to optimize the clarity and sharpness of the half-frame photos. Using the lens used in the RICOH Auto Half (a best-selling half-size model first marketed in 1962) as a reference, the angle of view and focal length were selected to make casual, everyday picture-taking simple and flawless.

Zone-focus system to switch the in-focus area via simple selection of zone marks
From close-ups to long distances, the PENTAX 17’s zone-focus system is divided into six focus zones, indicated by marks that signify each zone.
Set the camera’s focus by selecting the mark best suited for the subject distance on the zone focusing ring. In the Macro focus zone, the user can capture a close-up photo from approximately 25 centimeters away. The hand strap (included as a standard accessory) lets the user measure
subject distance more accurately.

Bright optical viewfinder for real-time confirmation of a subject image
The PENTAX 17’s optical viewfinder features an Albada-type bright frame
finder. It also comes with a close-up visual field compensation frame to help the user more easily compose close-up images. It is possible to check the zone marks directly through the viewfinder.

Seven shooting modes to accommodate different applications
The PENTAX 17 automatically adjusts exposure settings based on the lighting data collected by its metering sensor. In addition to the Full Auto
mode in which all exposure settings are selected by the camera, it provides six other shooting modes, including: Slow-speed sync, which is highly useful in twilight photography; and Bulb, which comes in handy for photographing nightscapes and fireworks. The PENTAX 17 also features an independent exposure compensation dial, which allows the user to swiftly shift the exposure level to accommodate different types of subjects or express the user’s creative intentions.

High-quality body with meticulous attention to every detail
The PENTAX 17’s body has a classic design, hinting at the traditional look of film cameras. The top and bottom covers are made of a solid but lightweight magnesium alloy to optimize the camera body’s rigidity. The 40.5mm filter mounting thread allows the user to mount a range of
filters, which are available for purchase on the market.

Other Features

• • A wide selection of ISO film speeds (50, 100, 125, 160, 200, 400, 800, 1600 and 3200)
  • Note holder on the back cover, into which the end of the film package can be inserted for an ata-glance confirmation of the film in use
  • Three strap lugs to accommodate horizontal and vertical camera suspensions, to best suit the
  • user’s shooting style
  • Compatibility with the optional CS-205 Cable Switch, which comes in handy for extendedexposure photography in the Bulb shooting mode

Technical Details

Overview

Featuring a dramatic 178° angle of view, this 10mm f/2.8 Fisheye Lens from 7artisans is an all-manual lens with a de-clicked aperture ring. Designed for Canon RF-mount cameras, this lens lets you produce unique perspectives and creative distortions. Its large viewing angle is well-suited for travel, landscapes, panoramas, nighttime scenes, underwater photography, and more. This robustly built lens is constructed of 11-elements in eight-groups and one Hoya ultra-low dispersion element, which reduces chromatic aberration. The lens's f/2.8 maximum aperture benefits working in a variety of lighting conditions while maintaining a small and lightweight form factor, and with a minimum focus distance of just 6.7" you get to experience the fun of shooting close to your subject while capturing a wide expanse.

• Fisheye design renders a 178° angle of view to produce a distinct visual appeal characterized by dramatic distortion and a creative depiction of space
• Bright f/2.8 maximum aperture suits working in a variety of lighting conditions and also contributes to the sleek form factor
• Manual focus design permits working with subjects as close as 6.7" away
• De-clicked aperture ring provides silent and smooth exposure adjustment that is well-suited for video application
• Ultra-low dispersion element reduces chromatic aberration

Key Features

• Canon RF-Mount Lens/Full-Frame Format
• Aperture Range: f/2.8 to f/22
• One Ultra-Low Dispersion Element
• Fisheye Design
• Manual Focus Lens
• De-Clicked Aperture Ring
• 178º Angle of View
• Minimum Focus Distance: 6.7"

Technical Details

In the Box

• 7artisans Photoelectric 10mm f/2.8 Fisheye Lens for Canon RF
• Front Lens Cap
• Rear Lens Cap